Sweet Rush (1) Album (16) Alesha Dixon (2) Alexa Vega (1) Alexisonfire (1) Alicia Keys (1) All Time Low (2) Amelle Berrabah (1) Americon Idol (2) Anberlin (1) Andy Samberg and Justin Timberlake (1) Angel Taylor (1) Anna Abreu (1) Annie Lennox (2) Anya Marina (1) Aqua (1) Asher Roth (1) Asher Roth Feat. I in know way own this music and the song goes to its rightful ownersģ0 Seconds to Mars (1) 50 Cent (8) A-ha (1) Adam Lambert (5) Agnes Carlsson (1) Akon (6) Akon Feat. Realized that you were the one who had issues I’m gone and all you’re hearin’ is your own Ian Mathers: The stilted, clipped (and, sigh, AutoTuned) delivery on the verses is surprisingly effective, and the gulped, stuttery chorus is too – he’s probably not nearly as over her as he repeatedly and thoroughly claims to be, but all that does is adds a nice little bit of ambiguity to the song’s portrait of someone sitting there, haunted by their own voice.Gorilla Zoe Feat. Radically new and brilliantzzzzzzzzzzzzzzzzz… Martin Kavka: The chords change about as quickly as they do in the oeuvre of Morton Feldman, the beats are sparse, and the vocals are AutoTuned. It’s a good song, though: nicely restrained and sort of sad, despite being a ‘fuck you’ to an ex, and could have been wonderful delivered by the right R&B voice (Ne-Yo, say), but a mildly gruff robot does not strike any kind of suitable note. This is barely rap: he more or less sings it. Martin Skidmore: The gruffness is still there, but it’s an undertone. Unfortunately, this brick of synth ballad cheese is anything but fresh, and the closest thing to a hook was annoying enough the first time when Timbaland did it on Nelly Furtado’s “Say It Right.” “Echo” is probably the least interesting Autotune experiment on the album, but it’s definitely the most immediate, a single so dumb, obvious and good that its chorus might as well be Zoe laughing in our faces.Īl Shipley: The grain of Gorilla Zoe’s voice is so unique, almost alien, that he’s just about the only rapper left who’d be able to bring something new to the AutoTune craze. Naturally nobody cares about it, but it’s arguably the quintessential Southern rap album of 2009. Jordan Sargent: Gorilla Zoe’s Don’t Feed Da Animals is an album full of half-assed raps and metallic-heart Autotune warbles over tinny, cheap-as-hell synth beats. I’m far from an Autotune autohater – and indeed Zoe uses it to terrific, woozy effect on “Dope Boy” – but his cack-handed attempt to use it to signify an ~emo moment~ is embarrassing. You wouldn’t know it from the spectacularly bad “Echo”, though. It’s not quite as amazing as that song, but it’s a fine use of Autotune and a very pleasing melody.Īlex Macpherson: Gorilla Zoe’s Don’t Feed Da Animals album is pretty good – hooky ear candy which holds few surprises but which is consistently enjoyable. Vastly different from the macho posturing that starts off this Atlantan’s second album, “Echo” reminds me of nothing so much as Enrique Iglesias’s “Do You Know (The Ping Pong Song)?” in its cheerful commitment to cheese. Hillary Brown: Um, I’ve listened to this 15 times in a row, and I’m not tired of it yet. Michaelangelo Matos: I like how straightforward the lyrics are on this: at first I thought it was just 808s and Heartbreak redux, but while Zoe’s persona here may have fewer angles than Kanye’s, I know which one I prefer relating to. Tom Ewing: Robot gorillas used to feature weirdly regularly in very old school 2000AD stories, though I don’t remember any rapping over what sounds like old China Crisis chord changes: who says there’s no innovation left? There’s an increasing whiff of pointlessness about all this voco-rap stuff, though, as is par for the course, “Echo” is jolly pleasant, and nobody ever went broke playing the gentle giant card.

Pharrell WilliamsĪpparently there’s a version with Diddy on it.

Donnie Trumpet & the Social Experiment.Email (song suggestions/writer enquiries).

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